Sahar Lavasani, a self-taught artist, works in the fields of drawing, painting, and sculpture, with a significant portion of her work dedicated to the study of the human figure. Through diverse techniques, she explores the human form, intertwining it with themes such as floating, existence, entanglement, and collapse. In her works, human figures appear like interlinked chains, caught in a state of timelessness and placelessness, a narrative that, according to the artist, symbolizes the repetition of history.
Dance and bodily movements, especially under pressure or in moments of falling, are central to the artist's interests. She portrays these concepts in her works using techniques such as ink and oil paint, creating spaces that feel suspended and interwoven. In addition to painting, her drawings often merge with sculpture, resulting in human forms depicted in seated, bent, or melting postures.
Lavasani's self-taught background has profoundly influenced her artistic journey. Without formal academic training in art, she has charted an independent path, free from the restrictions and censorship often imposed within Iran's official artistic circles. Unlike many of her contemporaries, who have resorted to self-censorship due to limitations on drawing the human figure, Sahar has focused resolutely on the direct and unfiltered representation of the human form. This bold choice has led her to revive classical artistic values, considered foundational practices in both painting and sculpture.
The artist's personal life, marked by a degree of social withdrawal, is clearly reflected in her works. Her human figures are predominantly solitary, disconnected from their surroundings or other figures. Even when multiple figures appear together, there is a palpable sense of unfamiliarity and detachment between them.
In summary, Sahar Lavasani’s artistic career can be described as a consistent commitment to classical artistic principles. Her works, while deeply reflective of her personal life experiences, remain untouched by fleeting artistic trends and fads. With her enduring focus on the human figure, she aims to expand her studies into more advanced compositions and forms, exploring new dimensions of this timeless subject.
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